This is the time of year when I am often pleasantly surprised, when out walking in the morning, by the cries of migrating flocks of geese and ducks passing high overhead. It is also a time of frequent fog.
I often wonder how many out there are learning or practicing hokku. I know that still, comparatively speaking, few people even know what it is.
As I often repeat, hokku are about Nature and the place of humans within and as a part of Nature, set in the context of the seasons.
Unlike modern haiku, the hokku accepts certain boundaries. It does not include violence or sex or romance or other such things that disturb the mind, because hokku is a “contemplative” kind of verse. It also avoids emphasis on the writer, and tends to use the words “I” “me” and “my” seldom. When talking about one’s self, it is treated in the same objective way one would talk about a tree, a stone, or a fox.
Hokku at times has a subtle humor, but never the “milk spurting out the nose” kind of intentionally funny poetry such as limericks.
Underlying all of the practice of hokku, all its verses, is a sense of transience, of the passage of time and the impermanence of all things. Impermanence is the character of everything in the universe, from the life of a mayfly to that of stars. Being set in the seasons, hokku has an inherent sense of time and its movements, and that is why we pay attention to the Hokku Calendar, which approximates very closely the old agricultural calendar of the British Isles and elsewhere.
Hokku also keeps us aware, in this impermanence, of the interplay of the two cosmic forces, Yin and Yang, and how they manifest in the changing seasons.
Now we have entered the last phase in the declining of Yang energies from their height in summer. We are moving into the increasing Yin of winter.
All hokku have a longer part and a shorter part, separated by an appropriate punctuation mark. The longer part may come first or second, whatever works best.
A hokku in English begins each line with a capital letter, and ends with another appropriate punctuation mark.
In today’s hokku the short part comes at the beginning:
A foggy morning;
Then follows the longer part:
From somewhere above,
Cries of wild geese.
Notice that even though the two parts of the hokku are separated by an appropriate punctuation mark, there may be more than one punctuation mark in the body of the verse. Only one of them, however, functions as the separating mark or “cut” between the longer and shorter parts of the verse.
Hokku is not difficult to write. It does, however, require one to follow certain aesthetic guidelines, such as those already mentioned. Once one gets the spirit of these, then hokku becomes quite easy.
It is a very important verse form for these times in which there are so many threats to Nature and to world climate, and in which people are increasingly alienated from Nature and from the cycle of the seasons. It takes us away from materialism and back to the basic and important things in life.