Tag Archives: summer

THE IMPORTANCE OF HERON LEGS: GRASPING THE ESSENCE OF AN EVENT

Buson wrote a pleasant summer hokku: An evening breeze; The water laps against The heron’s legs. R. H. Blyth made a very pertinent comment on this verse, a remark precisely in keeping the principles of modern hokku: “Buson’s intuitions are … Continue reading

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BIG ANT, BIG HEAT: INTERNAL REFLECTION IN HOKKU

If one does not have an understanding of the basic principles of hokku, it is often difficult to appreciate a verse because one simply does not “get” it.  This was a major factor in the rise of modern haiku in … Continue reading

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ABSENCE AND PRESENCE AND SUMMER HEAT

The windbell silent; The heat Of the clock. This summer hokku by Yayū is somewhat unusual, first because it includes a clock.  We already know that “modern technology” is not a part of hokku, and if we allow ourselves to … Continue reading

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THE ESSENTIAL IMPORTANCE OF YIN AND YANG IN HOKKU

I often talk about Yin and Yang in hokku.  In fact I talk about them so much that another name for the kind of hokku I teach might be “Yin-Yang” hokku.  That is how important it is — so important … Continue reading

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THE WHEEL OF THE YEAR

Every year I like to post this article again to mark that time when one feels the change in the air that marks the beginning of summer’s wane into autumn.  It is a day when one palpably feels that suddenly … Continue reading

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IT’S STILL THE SAME OLD STORY

Yesterday I discussed three “Western” calendar systems relevant to hokku — the traditional calendar, the meteorological calendar, and the “natural” calendar.  The first is astronomical, and depends on the relationship between the sun and the earth; the second shows us … Continue reading

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SNAILS, LOCKS, AND BRUSHWOOD GATES

In Japan, Issa’s hokku have always been remarkably popular.  And they are popular in the West as well — at least the better known verses, among which one finds this: The brushwood gate; Instead of a lock, A snail. But … Continue reading

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ANDREW MARVELL

“…ANNIHILATING ALL THAT’S MADE TO A GREEN THOUGHT IN A GREEN SHADE.”

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THE HEAT!

R. H. Blyth remarks that “only in Japan can we find hundreds of ‘poems’ written on the subject of heat.”  That he puts “poems” in quotes is significant, and indicates — as I always tell students — that we should … Continue reading

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IS HOKKU DIFFICULT?

Is hokku difficult?  The simple answer is no. The only difficulty in hokku comes from what we add to it from our own minds.  Really, a hokku is just a meaningful experience of the senses expressed in the context of … Continue reading

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THE ONE-FOOT WATERFALL

Issa wrote: The one-foot waterfall Also makes sounds; The evening cool. This is Issa’s version of “The morning glory that lives but a day differs not at heart from the giant pine that lives for a thousand years.”  A one-foot … Continue reading

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SEEN IN THE SHALLOWS

Onitsura wrote this summer hokku: Evening; The bellies of trout seen In the shallows. This is a “standard” hokku, meaning it has setting, subject, and action.  The setting is the evening; the subject is the bellies of the trout; the … Continue reading

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THE WINDBELL IS SILENT

You will recall that very old hokku often used two things joined by a third.  Yayu wrote an interesting hokku that uses two things also, but provides the third that unites them in an interesting way: The windbell is silent; … Continue reading

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NOTHING WEAKER THAN WATER

There is nothing weaker than water But nothing greater in overcoming the hard, For which there is no substitute. That weakness overcomes strength And gentleness overcomes the rigid, No one does not know; Yet who can put it into practice? … Continue reading

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THE CLEAR WATER

The stonemason Cools his chisel in it – The clear water. Buson While working stone, the metal chisel of the stonemason becomes too hot to hold — from the heat of the day and from the friction of repeated blows … Continue reading

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A GREAT TREE

A great tree Felled in the summer mountains; The echoing. Meisetsu

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THE IMPORTANCE OF CONTEXT

Good hokku generally have strong sensation.  By sensation we mean an experience of the senses — seeing, tasting, touching, smelling, and hearing. Those of you with an inquisitive bent of mind may think, “Well, if hokku is all about sensation, … Continue reading

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A SUDDEN SHOWER

Readers will long ago have noticed that I use old hokku — including verses just beyond what is technically the old “hokku” period — quite often.  My purpose in doing so is not just to provide a collection of old … Continue reading

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THE CLEAR WATER

A pleasant and simple summer hokku by Kitō: Little fish Are carried backwards; The clear water. We see the tiny fish in the clear, sunlight water, swimming against the current, which nonetheless is so strong that, still facing upstream, they … Continue reading

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IT WAS THE THIRD OF JUNE…

Today I am going to combine some things I have talked about lately: First is the “Question” hokku, the whole point of which is to ask a question — or raise a question — that remains unanswered. Shiki wrote a … Continue reading

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ONE BIG, LAZY CAT IS ALL OF SUMMER

Issa wrote this summer hokku: The big cat – Flopped down on the fan Asleep. It is rather typical Issa, with his connection to animals and his kind of humor. The point of the verse is that it is summer, … Continue reading

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THE RED SUN

Sōseki wrote this summer hokku: The red sun Sinks down into the sea; The heat! The sun sinks into the sea every day, so what is different about this that makes it worthwhile and not just a commonplace?  It is … Continue reading

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FROM BELOW THE BRIDGE

Issa, whom we do not often use as a model, wrote this summer hokku: From below The bridge I creep across – A cuckoo! Though Issa says merely “bridge,” we can tell from his timid creeping across it that it is … Continue reading

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A HOKKU IN FIVE WORDS

There is a summer hokku by Kikaku that requires very few words in English translation: Inazuma ya   kinō wa higashi    kyō wa nishi Lightning ya yesterday wa east  today wa west. Lightning; Yesterday east, Today west. Even though … Continue reading

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GRASPING AT FIREFLIES

There is a very interesting old summer hokku by Ryusūi: Mayoigo no   naku naku tsukamu   hotaru kana Lost-child ‘s  crying crying grasping fireflies kana A lost child; He cries and cries And grasps at fireflies. Some verses make … Continue reading

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LEAVES SUDDENLY APPEAR

A summer hokku: Sunrise; Leaves suddenly appear On the paper screen. This too is a verse requiring a small intuitive leap.  Why would leaves suddenly appear on a paper screen?  Because the sun has just risen, casting shadows of plants … Continue reading

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WHITE RAIN

Jōsō wrote a summer hokku: In the white rain, Ants are running Down the bamboos That is a very literal translation.  In English we would not be likely to say “white rain.”  Instead we would probably say, In the clear … Continue reading

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THE VOICE OF THE TURTLE

Today was beautiful where I am.  After days and days of pouring rain and cool temperatures, the sky cleared, the sun shone, and the temperature rose into the low 80s. It made me think of the old lines from the … Continue reading

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ORDINARY AND EXTRAORDINARY HOKKU

Sooner or later (I hope sooner) in the study of hokku, one begins to ask just what makes an extraordinary hokku.  The question is inevitable because all of us, in our practice, are going to write lots of very ordinary … Continue reading

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MUCH IN LITTLE

Etsujin wrote: How serenely they fall When the time comes – Poppy flowers. That is a “statement” hokku.  A “statement” hokku makes a simple, true observation about something; it tells us something we already know but did not know we … Continue reading

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THE SEASONS OF HOKKU

When we talk about season in hokku, what do we mean exactly? Well, everyone knows that in temperate climates we traditionally have four seasons — spring, summer, autumn, and winter.  Every hokku we write belongs to one of these seasons, … Continue reading

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THE INTERACTIONS OF YIN AND YANG

Kitō wrote: A summer shower; The exhausted horse Comes back to life. I always see the muscles of the fatigued horse begin twitching with life shortly after the first drops of cool rain strike it. We feel the sudden energy … Continue reading

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HORSES AND HEAT WAVES

Those who read a posting here only now and then will learn little or nothing.  Those who read here regularly, with attention, will gain over time a good understanding of the basic principles of hokku. For example, I recently discussed … Continue reading

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THE RAIN IS RAINING ALL AROUND

The fundamental principle of hokku is that it is about Nature and the place of humans as a part of, not apart from, Nature — set in the context of the seasons.  Here is a hokku by Shōha emphasizing the … Continue reading

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HOKKU AND THE “TEN THOUSAND THINGS”

In the last posting we reviewed Yin and Yang in hokku, and introduced the two kinds of contrast.  This latter is important in itself, so I shall say more about it. Hokku may exhibit either: 1.  Harmony of contrast or … Continue reading

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THE HOKKU OF SUMMER

All hokku are seasonal hokku, being written and marked (as practiced today) with one of the four seasons.  That comes from hokku having originated in a temperate climate.  In other climates this may vary to a summer season, a rainy … Continue reading

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CLOUDS APPEAR

We just looked at a verse for the time when spring is nearing its end: Warm rain From a cloudburst; Departing spring. Today, by contrast, we shall look at a verse on the other side of the seasonal divide: Clouds … Continue reading

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TAKING OFF THE WORLD

I have mentioned previously the simple, elegant — one might even say “clean” feeling one gets from the hokku of Onitsura.  It is unfortunate that he had no reliable students to carry on his kind of verse.  Because of that, … Continue reading

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BRIEF DREAMS

I was very amused by a comment in the Guardian by a fellow who attended a Quaker meeting: “…you sit there in silence. Five minutes goes by. You shift a bit in your seat. Another five minutes goes by. Did … Continue reading

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METAPHOR AND INTERNAL REFLECTION

It is interesting to see how modern haiku enthusiasts wiggle and squirm to try to evade the simple fact that metaphor is not a part of good hokku, but instead is a concept borrowed by haiku commentators from Western poetry … Continue reading

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SEEING WHAT IS NOT THERE

“I see nobody on the road,” said Alice. “I only wish I had such eyes,” the King remarked in a fretful tone.  ”To be able to see Nobody!  And at that distance too!  Why, it’s as much as I can do … Continue reading

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THE NATURAL APPROACH TO SEASONAL SUBJECTS

In previous postings I have talked about how hokku intimately relates to Nature and the seasons, and I have said that the key to hokku is understanding that it expresses the seasons in its subject matter.  Merely setting a hokku … Continue reading

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WRITING BY SEASON

In hokku old and new, there are two ways of relating to the seasons.  One is fixed and somewhat artificial (old hokku), the other natural (new hokku). The “fixed” way is the compiling of season words and season dictionaries, and … Continue reading

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DIRECT EXPERIENCE AND CREATIVE SELECTION

In hokku as I teach it, we may write both from direct experience and from creative selection. What is meant by direct experience?  It is a hokku written from viewing an actual event, with everything in it faithful to that … Continue reading

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A LOAD OF WIND

Amid the heat, He carries a load of wind – The fan seller. The arrangement of that summer hokku by Kakō is necessarily different in English.  The original is literally Wind load carries heat ya fan-seller But let’s look at … Continue reading

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HOT THINGS

Today is another unusually hot day, so here is an appropriate old hokku by Buson: Spider webs Are hot things; The summer grove. Entering a grove of old trees on a hot day, we expect to find some relief from … Continue reading

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THE SOLE HEIR OF THE WHOLE WORLD

Sometimes on this site I will seem to go far afield, but generally there is a thread leading in some way back to hokku or the spirit of hokku. Johann Peter Hebel, who wrote in Swiss-German, has a very remarkable … Continue reading

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BEGINNING TO LEARN CONTENT IN HOKKU

The outer form of hokku is quickly described; the content of hokku takes more time, because it has so many aspects. First, the basics. The content of hokku is always Nature and the place of humans within and as a … Continue reading

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HOKKU FORM IN A NUTSHELL

Hokku in English has very definite standards and principles, and these extend even to the appearance of a verse on the page, specifically to lineation, capitalization, and punctuation. An English-language hokku is a verse of three lines, the middle line … Continue reading

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THE WHEEL OF THE YEAR

In her bittersweet children’s book Tuck Everlasting, Natalie Babbitt writes: “The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in … Continue reading

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