Tag Archives: spirituality

THE IMPORTANCE OF HERON LEGS: GRASPING THE ESSENCE OF AN EVENT

Buson wrote a pleasant summer hokku: An evening breeze; The water laps against The heron’s legs. R. H. Blyth made a very pertinent comment on this verse, a remark precisely in keeping the principles of modern hokku: “Buson’s intuitions are … Continue reading

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AUTUMN ENDING — WINTER BEGINNING

  Autumn ends; Even the crows Are silent. David

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THE NARROW PATH: A HOKKU BY BUSON

As a writer of hokku, Buson had his flaws.  He was sometimes too consciously literary, at others too obviously painterly (he was, after all, an artist).  That is why numbers of his verses fail to quite make it as good … Continue reading

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RAIN BEATS ON RAIN

Gyōdai wrote one of the simplest and best hokku, which in my region would be an autumn verse: Ochiba ochikasanarite ame ame wo utsu Falling-leaves fall-pile up rain rain wo beats Leaves fall And pile up; Rain beats on rain. … Continue reading

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THE SOUND OF WATER

Near and far – The sound of water, The falling leaves. (Variation on an old hokku by Bashō)

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SUBTLE STATES OF MIND: THE REASON FOR HOKKU

As all regular readers here know, a hokku is a sensory event set in the context of a particular season.  That is basic knowledge.  But did you ever ask yourself why?  What, after all, is the point of recording sensory, … Continue reading

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AUTUMN WILLOWS

Seibi has an interesting hokku that reminds one of Thoreau’s close observation of Nature: The morning sun; Already it penetrates The autumn willows. This is another of those verses in which meaning requires knowing the principles of hokku.  We might … Continue reading

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OTHER PEOPLE’S AUTUMN

I often say here that Japanese hokku sometimes tends to a vagueness not found in English-language hokku.  Some verses can be so unclear as to leave their meaning perpetually in doubt.  Those are just bad hokku, in spite of the … Continue reading

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ENTERING AUTUMN

Here is a timely repeat of an earlier posting: Summer is ending, autumn is beginning. I have already mentioned the transitional verse by Kyoroku that leads us into the season: August; First on the ears of millet – The autumn … Continue reading

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BIG ANT, BIG HEAT: INTERNAL REFLECTION IN HOKKU

If one does not have an understanding of the basic principles of hokku, it is often difficult to appreciate a verse because one simply does not “get” it.  This was a major factor in the rise of modern haiku in … Continue reading

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ABSENCE AND PRESENCE AND SUMMER HEAT

The windbell silent; The heat Of the clock. This summer hokku by Yayū is somewhat unusual, first because it includes a clock.  We already know that “modern technology” is not a part of hokku, and if we allow ourselves to … Continue reading

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BEYOND BELIEF

The problem with religion — any religion — is not in whatever spirituality, if any, it might contain; the problem is dogma. Look for the root of any religious controversy, or of religious controversy that has escalated into violence, and … Continue reading

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A LEAKY ROOF

A pleasant spring hokku by Bashō: Spring rain; A roof leak trickles Down the wasps’ nest.  This reminds me of Blyth’s remark that to write hokku one should live in a house which either has a leaky roof or one with … Continue reading

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TAIGI AND THE FALLEN BLOSSOMS

Today’s hokku is a spring hokku by Taigi.  To get the meaning of it in English I will take some liberties, then explain the original: Everything swept up Is cherry blossom; The evening temple.  The original says “Dust/rubbish all cherry-blossom; … Continue reading

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DAY DARKENS; FORGETTING THE WORDS

Gyōdai wrote: Day darkens; Again the snow Begins to fall. One familiar with conventional Western poetry is likely to ask, “What does it mean?”  That is a question inappropriate for hokku.  Archibald MacLeish once wrote in his Ars Poetica (“The … Continue reading

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THE SOUND OF BRANCHES; the Simplicity of Hokku

There is a hokku by Buson, translated thus by R. H. Blyth: Snow-break also Can be heard, This dark night. I think many reading the verse without his explanation would fail to understand it, and that is always a problem. … Continue reading

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THE FALLOW WAY: MIDWINTER’S DAY

Now is the Winter Solstice — Midwinter’s Day — the coming of Great Yule. This is the time when the Yin energies of the universe — which seemed to our ancestors to overwhelm the earth with dark and cold — … Continue reading

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SEEN FROM THE HOKKU MIND

I hope that readers here have begun to realize from my postings that the hokku is quite different from the modern haiku.  In general, a modern haiku is just a verse of some kind written in three lines.  It might … Continue reading

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MORE ON THE CHARACTERISTICS OF HOKKU — A REVIEW

A reader has asked me to clarify a few points in this list (borrowed from R. H. Blyth) of the characteristics of hokku.  Though he asked about only three, perhaps it might be helpful to give some explanation of all, … Continue reading

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WIDENING COMMUNICATION: INTERLANGUAGES

As regular readers here know, I watch the site statistics.  Because of that, I have long been concerned that many people who do not have English as their first language are obviously trying to read this site, but with varying … Continue reading

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BASIC HOKKU PRINCIPLES: HARMONY OF SIMILARITY

THIS IS A BILINGUAL POSTING IN ENGLISH AND INTERLINGUA ISTE ES UN ARTICULO BILINGUE IN INTERLINGUA E IN ANGLESE Il ha un hokku interessante del comenciamento de autumno: Le autumno comencia; Depost un banio, Le lassitude.  Iste nos monstra harmonia … Continue reading

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MORE ON USING “CHINESE” TECHNIQUE IN ENGLISH POETRY

In looking over past statistics for this site, I noticed that one of the most frequented postings was on writing “Chinese poetry” in English.  Of course what is meant by that is poetry written in English, but using the form … Continue reading

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THERE IS HOKKU AND THERE IS HOKKU

From time to time I like to explain, so there will be no confusion, just what it is that I teach as hokku. It is not precisely the same as old Japanese hokku.  Most people would, in fact, feel old … Continue reading

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ONE BIG, LAZY CAT IS ALL OF SUMMER

Issa wrote this summer hokku: The big cat – Flopped down on the fan Asleep. It is rather typical Issa, with his connection to animals and his kind of humor. The point of the verse is that it is summer, … Continue reading

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YIN-YANG HOKKU

In our practice of hokku, we must beware of using the entire body of existing old hokku and its related literature as a fundamentalist uses the Bible.  By this I mean that we should not say, for example, “Jōsō did … Continue reading

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THE SCENT SOAKS INTO YOUR GARMENTS

What I like to call the “old style” hokku — meaning the best hokku in the period before Onitsura and Bashō — often, as we have seen in the hokku of Sōgi, combine two things and then add a third … Continue reading

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LIFELONG STUDENTS

The practice of hokku is a lifelong process of learning.  This is true whether one is a student or teacher, because even the teacher is also a lifelong student. Today I got a valuable insight into one reason why some … Continue reading

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BLOWING LEAVES

A hokku appropriate to late autumn, by the woman Sono-jo: A dog barking At the sound of the leaves; The windstorm. It is an odd fact in hokku that the simplest are often the best, and this is a very … Continue reading

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ENTERPRISES THAT REQUIRE NEW CLOTHES

The almost frantic desire of contemporary society to drop whatever is perceived as no longer fashionable in favor of whatever is new holds no attraction for writers of hokku, who see such chronic dissatisfaction as just another manifestation of the … Continue reading

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AUTUMN COMINGS AND GOINGS

Gyōdai wrote: Aki no yama   tokorodokoro ni   kemuri tatsu Autumn’s mountains   here-there at   smoke rises The autumn hills; Here and there Smoke rises. It is a pleasant verse, and reminds one of Appalachia, of seeing smoke … Continue reading

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SPILLING THE MOON

In the previous posting I mentioned that many of Shiki’s “haiku” would still be classifiable as hokku, though they often tend to be illustrations.  But even among his illustrations some are better, some worse. Here is one of his verses: … Continue reading

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WHAT DID SHIKI REALLY DO?

In previous postings I have written that the haiku did not exist until near the end of the 19th century, when it was “created” by a Japanese failed novelist, the journalist generally known today as Masaoka Shiki, or simply Shiki. … Continue reading

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WHY I LINK HOKKU AND MEDITATIVE PRACTICE

Readers of the previous posting about Zen and hokku, on reading my emphasis on some kind of meditative spiritual practice, may justifiably think, “Well, hokku may have an historical connection with Zen aesthetics, but why does this fellow recommend some … Continue reading

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HOKKU IN AUTUMN

In hokku it is essential to write in harmony with the season.  The most important quality of autumn is transience — the fact that everything changes, all is impermanent, nothing stays.  Autumn is transience. In autumn hokku, we experience and … Continue reading

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PREPARING TO LEARN HOKKU

Only a single day remains before August ends and September begins.  The Summer months — June, July and August — give way to the Autumn months — September, October and November. Through hokku we are taken away from the excessive … Continue reading

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THE SOLE HEIR OF THE WHOLE WORLD

Sometimes on this site I will seem to go far afield, but generally there is a thread leading in some way back to hokku or the spirit of hokku. Johann Peter Hebel, who wrote in Swiss-German, has a very remarkable … Continue reading

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A MIRROR REFLECTING

I have talked about the simplicity of hokku, and of its poverty that allows us only a few ordinary words.  And I have talked about the selflessness of hokku, in which the writer does not try to draw the attention … Continue reading

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HOKKU AS SPIRITUAL VERSE

Hokku at its best was and is spiritual verse. That does not mean “religious” in any dogmatic sense.  It is not about dogmas and beliefs.  It is spiritual in that it re-unites — if only briefly — subject and object, … Continue reading

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BEWARE OF ANY ENTERPRISE THAT REQUIRES NEW CLOTHES

Dear Readers, I have been teaching hokku on the Internet for some thirteen years. Remember that hokku — or any kind of verse — is only important to the degree that it can help to change your life for the … Continue reading

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