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Tag Archives: R. H. Blyth
THE IMPORTANCE OF HERON LEGS: GRASPING THE ESSENCE OF AN EVENT
Buson wrote a pleasant summer hokku: An evening breeze; The water laps against The heron’s legs. R. H. Blyth made a very pertinent comment on this verse, a remark precisely in keeping the principles of modern hokku: “Buson’s intuitions are … Continue reading
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Tagged Buson, heron, hokku, nature, objectivity, poetry, R. H. Blyth, spirituality, summer, writing
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THE LONG DAYS OF SPRING: BUSON AND SHIKI
There are some hokku that do not seem quite right but nonetheless have value for what they are. There is, for example, this spring verse by Buson: Osoki hi no tsumorite tōki mukashi kana Long day ‘s accumulating … Continue reading
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Tagged Buson, haiku, hokku, long spring days, R. H. Blyth, spring, Yosa Buson
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RAIN BEATS ON RAIN
Gyōdai wrote one of the simplest and best hokku, which in my region would be an autumn verse: Ochiba ochikasanarite ame ame wo utsu Falling-leaves fall-pile up rain rain wo beats Leaves fall And pile up; Rain beats on rain. … Continue reading
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Tagged autumn, Gyôdai, hokku, nature, poetry, R. H. Blyth, Reginald Horace Blyth, seasons, spirituality, writing
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WHAT IS A FROG DOING IN AUTUMN?
As long-time readers here know, hokku is seasonal verse. Every verse is an event set in the context of a particular season. In old hokku (which was Japanese), this became too systematized, so that if one wrote about frogs, it … Continue reading
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Tagged frog, frogs, hokku, nature, poetry, R. H. Blyth, Reginald Horace Blyth, spring, verse, writing
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AUTUMN BEGINS: INCLINING TOWARD THE TRANQUILITY OF HOKKU
In previous postings I have discussed the relationship between Zen and hokku (yes, there is one). Today I would like to talk briefly about where Zen and hokku differ. First, Zen is more inclusive than hokku. Hokku deliberately restricts its … Continue reading
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Tagged Aki chikaki, autumn, autumn hokku, Bashô, haiku, Modern Haiku, nature, poetry, R. H. Blyth, tea ceremony, teahouse, writing
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BIG ANT, BIG HEAT: INTERNAL REFLECTION IN HOKKU
If one does not have an understanding of the basic principles of hokku, it is often difficult to appreciate a verse because one simply does not “get” it. This was a major factor in the rise of modern haiku in … Continue reading
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Tagged haiku, heat, hokku, internal reflection, nature, poetry, R. H. Blyth, seasons, Shirô, spirituality, summer, writing
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A LEAKY ROOF
A pleasant spring hokku by Bashō: Spring rain; A roof leak trickles Down the wasps’ nest. This reminds me of Blyth’s remark that to write hokku one should live in a house which either has a leaky roof or one with … Continue reading
Posted in Bashô
Tagged Bashô, hokku, poetry, R. H. Blyth, spirituality, spring, spring hokku, writing
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“GETTING” R. H. BLYTH
If you want to understand what R. H. Blyth meant by connecting Zen and hokku, it can be stated very simply. To Blyth, Zen was the elimination of the boundary between self and other, between subject and object. I have … Continue reading
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Tagged hokku, nature, poetry, R. H. Blyth, spring, writing, zen
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TAO YUAN-MING’S SPRING
R. H. Blyth called this work by Tao Qian (Tao Yuan-ming, c. 365-427) and translated by Arthur Waley “the best translation… of the best poem in the world.” Swiftly the years, beyond recall, Solemn the stillness of this fair morning. … Continue reading
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Tagged Arthur Waley, Chinese poetry, poetry, R. H. Blyth, spring, Tao Qian, Tao Yuan-ming, writing
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SPARROWS, VERANDAS, AND TWO QUITE DIFFERENT VIEWS
I recently mentioned some criticisms of R. H. Blyth that appear on a site called “Simply Haiku.” One can dismiss them (as I did — with quotes from Blyth to refute those I quoted) as simply wholesale misrepresentation and misunderstanding. … Continue reading
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Tagged haiku, hokku, Masaoka Shiki, R. H. Blyth, Reginald Horace Blyth, Richard Gilbert, Robert D. Wilson, Simply Haiku, sparrows, spring, zen
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DROPPING CAMELLIAS AND “EXPLANDED” TRANSLATIONS
I wrote yesterday of R. H. Blyth and his method of translating hokku. He wrote six volumes of such translations, nearly all of which had to do with hokku, though he used the terminology of the Japan of his day … Continue reading
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Tagged camellias, Dansui, hazy moon, hokku, Modern Haiku, poetry, R. H. Blyth, spring, translation, writing
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HYAKUCHI: VANISHING COWS AND A SNEEZE
I have written before about the telegraphic brevity of old hokku, which often comes as a surprise to those who are accustomed to seeing it in English translations or to seeing modern English-language hokku. Here, for example, is R. H. … Continue reading
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Tagged hokku, Hyakuchi, poetic intuition, poetry, R. H. Blyth, spring, writing
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WRIGHT OR WRONG?
The automatic statistics of this site tell me that frequently people come here hoping to see something illuminating about the “haiku” of Richard Wright — just why, I am not certain, given that this site favors hokku and generally considers … Continue reading
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Tagged Bashô, Buson, haiku, hokku, poetry, R. H. Blyth, Richard Wright, Shiki, writing
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COLD MIDNIGHT RAIN
R. H. Blyth makes a significant point regarding the order of elements in hokku. To do so, he uses a verse by Ryōta, which I shall give here in my translation: Who is awake, The lamp still lit? Cold midnight … Continue reading
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Tagged autumn, cold rain, early winter, lamp, late autumn, midnight, poetry, R. H. Blyth, rain, Ryôta, winter, writing, zen
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HOKKU IS NOT “WRITING POETRY”
I have written previously about this statement by R. H. Blyth on hokku. He tells us that a hokku “…is the result of the wish, the effort, not to speak, not to write poetry, not to obscure further the truth … Continue reading
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Tagged Boshō, chestnuts, haikai, hokku, nature, poetry, R. H. Blyth, writing, zen
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Grown Old
The woman Seifu wrote: Doll faces; Unavoidably, I have grown old. The interest here is in harmony of opposites. The faces of the dolls look still the same age, but the writer, by contrast, finds herself inevitably grown old — … Continue reading
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Tagged aging, dolls, haikai, haiku, hokku, R. H. Blyth, Seifu, spring
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UNHURRIED BUTTERFLIES
Wafū wrote: Chō kiete tamashii ware ni kaeri keri Butterfly having-gone spirit me to returned The butterfly gone, My spirit Came back to me. What does he mean? He means that he was so absorbed in watching … Continue reading
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Tagged Buson, butterflies, Garaku, haikai, haiku, harmony of contrast, hokku, R. H. Blyth, Shiki, Sora, Wafū
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FAILURE OF TRANSMISSION
It is interesting to note that the term haiku did not begin to catch on in the West until the middle of the 1900s. Prior to that time, when Americans or Europeans spoke of the brief Japanese verse form, they … Continue reading
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Tagged Amy Lowell, Basil Hall Chamberlain, Ezra Pound, haikai, haiku, Harold Henderson, hokku, Masaoka Shiki, Modern Haiku, R. H. Blyth
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TWO ROADS DIVERGED….
Yesterday I discussed the well-intentioned but rather futile effort of James W. Hackett to halt and reverse the “aesthetic devolution” of the modern haiku. As readers here know, I do not teach or advocate haiku, so some explanation is necessary … Continue reading
NO SKY, NO EARTH
Hashin wrote a winter hokku that has always been a favorite: Ten mo chi mo nashi ni yuki no furishikiri Sky too earth too are-not at snow ‘s falling-ceaselessly No sky, no earth; The ceaseless … Continue reading
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Tagged Chiyo-ni, Hashin, Jōsō, mutual reflection, R. H. Blyth, sleet, snow, soko nukete, winter
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SEASONAL HARMONY
In hokku the concept of harmony is very important. If a verse is composed of elements that are inharmonious with one another, the hokku will fail. But beyond that, the hokku should be in harmony with the season in which … Continue reading
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Tagged haikai, harmony, hokku, nature, poetry, R. H. Blyth, seasons, writing, zen
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A MIRROR REFLECTING
I have talked about the simplicity of hokku, and of its poverty that allows us only a few ordinary words. And I have talked about the selflessness of hokku, in which the writer does not try to draw the attention … Continue reading
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Tagged haikai, hokku, nature, poetry, R. H. Blyth, spirituality, writing, zen
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UNKNOWING
There is something very mysterious and significant about a question. In the Zen sect, one major practice is the continual asking of an internal question — “Why did Bodhidharma come from the West?” perhaps, or “What was my true face … Continue reading
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Tagged autumn, fog, haikai, hokku, nature, poetry, question hokku, R. H. Blyth, Ramana Maharshi, writing, zen
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HOKKU AS SPIRITUAL VERSE
Hokku at its best was and is spiritual verse. That does not mean “religious” in any dogmatic sense. It is not about dogmas and beliefs. It is spiritual in that it re-unites — if only briefly — subject and object, … Continue reading
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Tagged Bashô, crows, haikai, harmony, hokku, nature, Onitsura, poetry, R. H. Blyth, spirituality, W. B. Yeats, writing, zen
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