Tag Archives: poetry

THE IMPORTANCE OF HERON LEGS: GRASPING THE ESSENCE OF AN EVENT

Buson wrote a pleasant summer hokku: An evening breeze; The water laps against The heron’s legs. R. H. Blyth made a very pertinent comment on this verse, a remark precisely in keeping the principles of modern hokku: “Buson’s intuitions are … Continue reading

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THE HOT AFTERNOON: IMPROVING HOKKU FOR UNITY AND HARMONY

We are moving (depending on where you are), from spring to summer.  In my region we have already had some very warm days, and so it is a good idea, in my postings about hokku, to now use the “summer” … Continue reading

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HURRAHING IN HARVEST: HOPKINS SEES GOD IN NATURE

One more Gerard Manley Hopkins poem, and then I will move on to something else.  It seems odd to be discussing a poem about autumn, given that it is spring now, but here it is nonetheless. In this poem, we … Continue reading

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KEEPING THE BEST, DISCARDING THE REST: GOOD TASTE IN HOKKU

Long-time readers here will recall that the hokku I teach is derived only from the best aspects of the old Japanese hokku — those that tend to objectivity, poverty, simplicity, and selflessness.  That is why not everything one may find … Continue reading

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NEW BRIDGES AND SPONGING RELATIVES: HUMAN QUIRKS AND SENRYU

You will recall that in addition to hokku, there is another and visually very similar kind of verse called senryu. How does one tell a senryu from a hokku?  First, senryu does not have a seasonal setting. Second, while hokku … Continue reading

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THE LISTENERS: A PEBBLE TOSSED IN A WELL OF SILENCE

In the late 1800s and first third of the 1900s, it was common for students in elementary and secondary schools to do “recitations,” a dramatic reading of a poem before a group, with the intent to make it have a … Continue reading

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ISLANDS IN THE SEA: TRANSLATING SHIKI

R. H. Blyth, to whom I often refer, called the following verse by Shiki ”Shiki at his best” (Shiki would have called it a “haiku,” in keeping with his odd ideas of reform, even though it is a hokku in form … Continue reading

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ERNEST DOWSON AND THE PERPETUAL CHILD: LA JEUNESSE N’A QU’UN TEMPS

In a previous posting we took a look at the poetry of Ernest Dowson, who sadly lost himself in drink and other excesses and died at age 32.  It puts us in mind of Dylan Thomas, who similarly was afflicted … Continue reading

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HOKKU SEASON WORDS: OLD AND NEW

A noteworthy difference between hokku as it was practiced in old Japan and hokku as it is practiced today in English is the method of dealing with season. The seasons are essential to hokku, one of its defining characteristics.  Every … Continue reading

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SPRING AND SUPERFICIALITY: DETERMINING DEPTH IN HOKKU

One of the most difficult things for the beginning student of hokku to grasp is the difference in what we might call “levels” of hokku.  It is common for someone unfamiliar with the principles of hokku to read hundreds of … Continue reading

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NOTHING IS SO BEAUTIFUL AS SPRING (OR SO CONFUSING, IN THIS CASE)

Today’s poem is a bit tricky, because it begins (with one possible exception) as one of Gerard Manley Hopkins’ simpler poems, yet turns, at the very end, into one of his most difficult. SPRING Nothing is so beautiful as spring— … Continue reading

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HEAVEN-HAVEN: REFUGE FROM THE SEA OF TEARS

To better understand today’s poem we must first put ourselves into the mindset of Gerard Manley Hopkins in the year 1864, when the poem was written.    He was a sensitive fellow for whom life in the everyday world was … Continue reading

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ONE BLOSSOM’S WORTH: TWO “PLUM” HOKKU

The connection of plum blossoms and spring, historically, is well known.  As I have written before, however, the ume no hana spoken of in old Japanese hokku — conventionally translated as “plum blossoms,” were not really plum blossoms as we … Continue reading

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NOW SLEEPS THE CRIMSON PETAL: IDEALIZED ROMANCE IN TENNYSON

I often speak of poets in terms of schools of painting.  Some, for example, are like Impressionists in their use of words.  Others, like today’s poet, Alfred Tennyson, are more like Pre-Raphaelites, writers who look back to medieval times as … Continue reading

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THE WORLD IS TOO MUCH WITH US: HUMAN SEPARATION FROM NATURE

One of the old standards of English poetry is THE WORLD IS TOO MUCH WITH US, by the romantic poet William Wordsworth (1770-1850).  The romantic movement tended to emphasize personal feelings, and often associated those feelings with Nature — mountains and … Continue reading

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WHEN I WAS ONE-AND-TWENTY: PAID FOR IN PAIN

Romance is a very strange thing. It is a kind of psychological obsession with another person — an obsession so strong that it gives that other person control over whether the obsessed is happy or unhappy.  It gives one soaring … Continue reading

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THE SANITY OF INDIVIDUALS, THE MADNESS OF CROWDS: EMILY DICKINSON

In spite of her cleverness and uniqueness, I have never been very fond of the poetry of Emily Dickinson, though I respect it for what it is.  I know she has earned her own place in the history of poetry, … Continue reading

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THEY ARE NOT LONG, THE DAYS OF WINE AND ROSES: THE BRIEF LIFE OF ERNEST DOWSON

Today’s poem is by Ernest Dowson (1867-1900).  Merely discussing him is a sad matter, because, like Sebastian Flyte in Waugh’s novel Brideshead Revisited, Dowson was both a student at Oxford for a time and a severe alcoholic whose life ended … Continue reading

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ON WENLOCK EDGE: THE GALE OF LIFE AND EMOTION

Today we turn again to one of my favorite poets, Alfred Edward Housman, and to his poem On Wenlock Edge. It is not a difficult poem, but we shall need to make sure we understand Housman’s vocabulary in order to … Continue reading

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MORNING LIGHT / LUMINE MATINAL

Winter: Morning light; Melting frost Drips from the trees. Hiberno: Lumine matinal; Gelo disgelante Ab le arbores gutta. How quickly time passes!  Already more than half of January is gone, and in less than two weeks we shall be at … Continue reading

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WOLVES HOWLING: HARMONY OF CONTRAST

Per Jōsō: Lupos ululante Omnes insimul; Le vespere nivee. By Jōsō: Wolves howling All together; The snowy evening. In hokku habemus harmonia de similaritate, ma anque harmonia de contrasto.  Iste verso per Jōsō nobis mostra le harmonia de contrasto.  Como? In hokku … Continue reading

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LE MATINO NIVEE DE CHIYO-NI / THE SNOWY MORNING OF CHIYO-NI

Un de le hokku hibernales le plus bones es iste, de Chiyo-ni: In campo e monte Nihil mova; Le matino nivee. Iste verso nobis mostra le character Yin del hiberno (movimento es Yang, immobilitate es Yin). Videmus anque le Yin … Continue reading

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AUTUMN ENDING — WINTER BEGINNING

  Autumn ends; Even the crows Are silent. David

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THE NARROW PATH: A HOKKU BY BUSON

As a writer of hokku, Buson had his flaws.  He was sometimes too consciously literary, at others too obviously painterly (he was, after all, an artist).  That is why numbers of his verses fail to quite make it as good … Continue reading

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THE ROAD GOES EVER ON: AUTUMN AND JOURNEYING

I have always had the feeling, when autumn has arrived, that it is time to begin reading Tolkien’s works The Hobbit and The Lord of the Rings.  And that in spite of the fact that the first book in the … Continue reading

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WITH FRIENDS LIKE YOU, WHO NEEDS ENEMIES? HOPKINS’ “THOU ART INDEED JUST…”

In previous postings we have seen the ups and downs of the “religious” life of Gerard Manley Hopkins displayed in his verse.  You will recall that he was a convert to Catholicism who became a Jesuit, then spent a good … Continue reading

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HAPPY HALLOWEEN FROM KOBAYASHI ISSA

Issa wrote: Withered pampas grass; “Now once there was an old witch….” That verse does not come off quite the same in English, because of the term “pampas grass” that we must use for what Issa knew as susuki — … Continue reading

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RAIN BEATS ON RAIN

Gyōdai wrote one of the simplest and best hokku, which in my region would be an autumn verse: Ochiba ochikasanarite ame ame wo utsu Falling-leaves fall-pile up rain rain wo beats Leaves fall And pile up; Rain beats on rain. … Continue reading

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THE SOUND OF WATER

Near and far – The sound of water, The falling leaves. (Variation on an old hokku by Bashō)

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SUBTLE STATES OF MIND: THE REASON FOR HOKKU

As all regular readers here know, a hokku is a sensory event set in the context of a particular season.  That is basic knowledge.  But did you ever ask yourself why?  What, after all, is the point of recording sensory, … Continue reading

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WHAT IS A FROG DOING IN AUTUMN?

As long-time readers here know, hokku is seasonal verse.  Every verse is an event set in the context of a particular season. In old hokku (which was Japanese), this became too systematized, so that if one wrote about frogs, it … Continue reading

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NO COUNTRY FOR OLD MEN: MIND AGAINST BODY IN “SAILING TO BYZANTIUM”

Today I would like to discuss one of the “fantasy” poems by the Irish poet William Butler Yeats – Sailing to Byzantium. To grasp the meaning of this poem one must know two things: first, the speaker is a man who … Continue reading

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HEAVEN-BARN: HOPKINS’ STARLIGHT NIGHT

There is no quick reading of some poems by Gerard Manley Hopkins.  Slow going and thought are essential to picking out his meaning from his often odd phrasing, uncommon word choices, and lack of complete clarity. Such as poem is … Continue reading

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AUTUMN WILLOWS

Seibi has an interesting hokku that reminds one of Thoreau’s close observation of Nature: The morning sun; Already it penetrates The autumn willows. This is another of those verses in which meaning requires knowing the principles of hokku.  We might … Continue reading

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OTHER PEOPLE’S AUTUMN

I often say here that Japanese hokku sometimes tends to a vagueness not found in English-language hokku.  Some verses can be so unclear as to leave their meaning perpetually in doubt.  Those are just bad hokku, in spite of the … Continue reading

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AND I AM MARIE OF ROUMANIA

Last time, I talked a bit about Walt Whitman’s way of overcoming the repeated disappointments of life. But for some people, the solution is humor. That was Dorothy Parker’s method. Dorothy Parker, you will recall, was a wit popular in … Continue reading

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OH ME! OH LIFE!: WALT WHITMAN’S ANSWER

Life, as we all know, has its ups and downs.  Normally the ups are slight, the downs are slight, but we all go through phases, whether days, months, or even years, when things just do not seem to go right … Continue reading

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AUTUMN DREAMS, AUTUMN SNORES

A pleasant hokku for the early part of autumn is this by Suiō, in spite of its unconventional arrangement. The autumn night; Dreams and snores And grasshoppers chirring. It is evocative of the warm, drowsy, earlier part of autumn, when … Continue reading

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AUTUMN BEGINS: INCLINING TOWARD THE TRANQUILITY OF HOKKU

In previous postings I have discussed the relationship between Zen and hokku (yes, there is one).  Today I would like to talk briefly about where Zen and hokku differ. First, Zen is more inclusive than hokku.  Hokku deliberately restricts its … Continue reading

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AUTUMN-WINTER IN THE HOKKU YEAR

As I have written before, in hokku we make use of two calendars: First, there is the “natural” calendar, which varies depending on where one lives.  For example, in my state,  autumn comes earlier in the mountains than in the lowlands. … Continue reading

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RED HAIR AND LOVE CONQUER ALL: THE ROMANCE OF NATHALIA CRANE

There is a place for fun in poetry, for verses we enjoy not because of intricate verbal craftsmanship or intellectual or spiritual profundity, but just because they bring a smile.  One of the surest of these poems that bring a … Continue reading

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UNTANGLING THE CONFUSING OF HOKKU WITH HAIKU

From time to time I like to remind readers that the careless use of the term “haiku” to describe what historically is really hokku is not only anachronistic but also irresponsible, inaccurate, and confusing.  Here is a slightly modified earlier … Continue reading

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THE FOX BETWEEN TWO WORLDS

There is a kind of old hokku that I almost never discuss here.  It belongs to the category of verses based on folk belief or myth.  Even these verses have their seasonal connections. Here is one by Buson: Withered grasses; … Continue reading

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ENTERING AUTUMN

Here is a timely repeat of an earlier posting: Summer is ending, autumn is beginning. I have already mentioned the transitional verse by Kyoroku that leads us into the season: August; First on the ears of millet – The autumn … Continue reading

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GATHERED COOLNESS: THE AUTUMN MOON

  A very old autumn hokku by Teishitsu (c. 1609-1673): A solid lump Of coolness; The midnight moon. In English today we would likely say, A solid ball Of coolness; The midnight moon. You will recall that the sun is … Continue reading

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THE BLACKBIRD OBSCURED: WALLACE STEVENS AND POETS OF PRIVATE LANGUAGE

Today I would like to talk briefly (you will soon see the reason for brevity) about what I call “poets of private language,” “PPLs” for short.  A poet of private language is one who writes poetry that is often so obscure … Continue reading

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THE WHEEL OF THE YEAR: SUMMER’S END

Today there seems a great pause in the air, a quiet sense that we have come to a change: Summer’s end; Crows stalking about Silently. Every year I like to post this article again to mark that time when one … Continue reading

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BIG ANT, BIG HEAT: INTERNAL REFLECTION IN HOKKU

If one does not have an understanding of the basic principles of hokku, it is often difficult to appreciate a verse because one simply does not “get” it.  This was a major factor in the rise of modern haiku in … Continue reading

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ABSENCE AND PRESENCE AND SUMMER HEAT

The windbell silent; The heat Of the clock. This summer hokku by Yayū is somewhat unusual, first because it includes a clock.  We already know that “modern technology” is not a part of hokku, and if we allow ourselves to … Continue reading

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THE GREAT GATSBY FRAGMENT

Last night, for no obvious reason, these words popped into my head: “So we beat on, boats against the current, borne back ceaselessly into the past.” They appeared in my mind suddenly, completely without context, and at first I could … Continue reading

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